新木马屠城记

有预见未来的能力似乎未必是好事，片子里帕里斯的姐姐，因为企图用她预见的悲剧说服父亲，试图改变未来，却换来被自己父亲关进天牢的凄惨情状……而绝大多数的人无法预知，因为无法预知而总盼望着更美好、更幸福，而不肯珍惜身边拥有的……海伦从那个抓阄得来的丈夫身边逃开，为了追寻她的真爱，企图挣扎着得到幸福……于是，海伦和帕里斯相携相守的愿望给战争制造了借口，十年的煎熬和血腥的浩劫由此开始……十年，她和他朝夕相处、甜蜜温馨的十年，却是特洛伊城处于敌人窥视中惶惶度日、城外爱琴海士兵背井离乡、远洋争战备受折磨的十年……最后屠城时，士兵们近乎病态的虐待被俘的弱民，特洛伊城果然如最初的预言一般，成为一片废墟……而，这战争最初的导火者又是怎样的结局呢？

帕里斯在暗夜里冷不丁冒出来的敌人数刀抽刺当场惨死……海伦被敌人强暴，没有一丁反抗的余地，最后的最后，竟然回到了起点——依然跟随着她不爱的丈夫……亲手杀死自己女儿祭神发动战争的，最终却被自己的妻子杀死……还有斯巴达王为了一份迷恋，变成兄弟发动战争的棋子，经历十年的煎熬和等待，换来的是，亲眼看着兄弟强暴自己心爱的女人……我在想，如果人们早知道最终的结果，他们还会去挣扎么？

如果海伦知道她的追寻会让自己心爱的人惨死，而最后依然只能跟随自己原本的丈夫，她难道不会选择把真爱和希望珍藏于心，给所有无辜的人一份安宁与和平么？

看完了电影，也许有人会说海伦事红颜祸水，特洛伊的二王子见色起意，一个意气风发的的王子，看到如此美貌的海伦，很难不动心，便有了想要带她离开的念头，爱情本俩没有错，但是身为王子，就要为自己的国家，子民，还有家人负责，你的行为不再简单的代表你自己的意愿，还有很多的人的期望，甚至国家的未来，这就是后来的战争。

谁都没有错吧，其实大家的立场不同就不同的声音，就像生活中，你是一位女士，在不经意间遇到了一位风度偏偏的男士，一见钟情，爱上了他，但当你知道他有了另一半的时候，你还要继续吗？

或许在你的角度，我爱他是我自己的事，不关乎任何人，我要勇敢地追爱，但在另一个角度，就会被认为是世俗的“小三”或者其他不好的骂名，而在上帝视角，你可能会觉得，这有什么呢？

世界上这么多的男人，你换一个不就行了吗？

但是，谁又经历过谁的经历，谁又能感同身受谁呢！

只是其中的一个方面！

但是作为一个智慧，勇敢的国王候选人，大王子没有好的结局，个人有点遗憾，但是正是这样的遗憾，淋漓尽致的表现了他的这样的优秀的品质了，这个王国太安逸了，正所谓天下之大，合久必分，分久必合吧，需要新鲜的血液，新的leader，新的面貌，继续往前走！

强暴海伦，阿伽门农攻破特洛伊后做的第一件事。

女人，尤其是漂亮的女人，在战乱中总是会成为牺牲品。

不止是海伦，还有《西西里美丽传说》中的Melena（莫妮卡·贝鲁奇），《等待黎明》中的阿男（叶童）……当电影看到这里，作为观众的你，是怎么想的呢？

A beauty, a hero, and a king, three person’s stories; beauty, courage, and desire, three different emotions. Their intersection is the movie "Helen of troy". Paris in the dark was suddenly coming out of the enemy draw knife stabbed several died on the spot ……Helen was raped by Agamemnon, who could not resist, In the end, back to the starting point - she still followed his husband, whom she did not love ...... the men, who personally killed his daughter for war ritual, Agamemnon, was eventually killed by his wife ...... the surprising plots to shook the people's nerves. If they had known these final results, will they go to still struggle for it? Still to pursue? Will they chooser the same choices. Helen is the beauty, she represents the free of love. Helen is just a weak woman, even though she has a beautiful face. Every woman is eager to be a beauty, but the beauty of Helen brought her a series of disasters, “The beautiful woman suffered a harsh life”. Her beauty becomes the object of desires of many men: she is robbed by Theseus, then his brother robbed her back; her father hated her; the kings got together and decided her vest. Her body was her own, but she is not independence. All of these makes Helen flee. Perhaps it is unforgivable that Helen fled from Greece in the eyes of the Greeks. But as a woman, it is a pursuit of free love. For love, she blows everything. Helen, who is an active life, she knows what she wants, and pursuit of the goal of herself. She proved that women are not just an object of desire for men, she also has the ability to initiate the pursuit of love and happiness. From Helen I also thought of "Yingying biography" the girl Cui Yingying, and" Stone Story "Lin Daiyu."Stone Story "Lin seems to get rid of the tragic fate, the novel pointed to the Lin's identity at the beginning, she is the reincarnations of annatto, Lin struggled for independent personal love and freedom, she suffered extraordinary pains. Lin therefore shed the last drop of for true love. In addition, from Helen's story, I saw the ancient Greeks’ questing for the beauty. As a modern man, I cannot understand, a decade of war, the ultimate goal of war is for a beauty, which no modern man can understand. Perhaps in the eyes of Greeks, The beauty is above anything, beauty is truth. The two sides compete for peerless beauty Helen, countless soldiers went dark for the beauty of sacrifice without regrets. Perhaps because of this, the ancient Greek create the elegant and refined, noble and lively, full of artistic expression full of beautiful statues. Paris is also a hero. He is different from the movie "Troy" that Paris no longer hid in the city, and did not meet the enemy, he is not the cowardly Paris. Although he was not the first warrior of Troy, but he does not intend to surrender to anyone, he fight for his own reputation. The pursuit of honor and dreams and goals of each ancient Greek hero. They process in the pursuit of honor, individuality, self-affirmation, to realize their own values, but also to indulge the desire to sacrifice moral, ethical. War is an important way to get the honor. the release of passion, you can win a lot of trophies, enhanced reputation, the subject of admiration. For example, Achilles would rather die, than want to lead his life comfortably at home. Agamemnon symbolizes the desire, his desire to focus on three areas: the woman - Helen; for wealth, power; against honor. Agamemnon's desire to unite to meet the end of the movie, though, but with the life disappear, he could not really have his income. As a man, he was eager to Helen's beauty; as king, eager to wealth, power; as a great hero, the pursuit of honor. His desire, the more and more damage to others. To his desires, he snubbed his wife, killed her daughter, coerced brother, kill the tens of thousands of people. Sadly with the disappearance of his own lives, Agamemnon cannot really have his income. This is the tragedy of human destiny. Second, the pursuit of wealth and power. As a king, Agamemnon is thirst for power and greed for wealth, which coexists with the growing strength of his ambition. At that time the Greek states, the most powerful Mycenae, Agamemnon is the highest leader of the entire Greek region, he orders the pack, assembled troops. Achilles, Odysseus, Menelaus and so obey him. He wants absolute power, which makes him particularly arrogant men. He also wants to conquer the ocean side of the Trojan people, so that they surrender to him. In the film, his fierce eyes prove arrogant Agamemnon. Any of his decisions are irrefutable. He dreamed to conquer the world. In the film, Agamemnon is the object of many desires, he desire carrier interests, wealth, excuse powers and so on. After decades of war, he was loaded with booty, honor and go, very comfortable lying tub. Then Agamemnon reached the pinnacle of his life. He is successful, peak moment is also low moments, all of his life is together with his disappearance. People admire the ancient Greek heroes, we should also ponder war and humanity. Society needs proper desire, need good human, but definitely do not need

现实与神话交杂，是这部电影的特色。

也是由于各国民俗的不同吧，加上环境、思维等等，这一切的不同，使人另眼相看他国的过去，仅此一点，慢慢地看完了这部电影。

海伦,正是这个女人导致了斯巴达和特洛伊的战争, 背叛丈夫, 侮辱了斯巴达.经典一幕发生在特洛伊城破之时, 当士兵们山呼斯巴达王, 杀了这个引祸的女人, 但是她的美貌, 竟然使得见惯腥风血雨的斯巴达王, 下不了这个手……这使人想起 中国唐代的杨贵妃，在兵变之际的唐玄宗在马嵬坡，狠心送她走上不归之路... 这两个不同命运的女人，她们的生死竟然取决于丈夫的政治生命：斯巴达王胜，海伦可以活，唐玄宗败，杨贵妃必须死。

所有的战争过错，都归咎于这两个女子的罪过，究竟是她们的背叛与惑乱导致战争，还是男人的贪欲造成了灾难。

这，真令人惋叹……

特洛伊战争可谓是因一个女人而引发的战争，不由得让我想到“红颜祸水”这一成语，然而这并非海伦之意。

虽然拥有着倾国倾城貌，却无法与自己的爱人厮守一生，最终自己爱情的归宿还得由残酷厮杀的战争决定。

相信更多的人不是羡慕她的美貌而是怜悯她的遭遇吧。

爱情是伟大的，它另两个男人为爱付出一切，但是斯巴达王的爱是盲目的，因为他倾尽兵力冒险争夺的虽然是他的妻子，却不是他的爱人。

如果他能觉悟到这点，或许就能避免一场血腥的战争了吧。

借给看过彼特饰演的特洛伊的好友，觉得还是这个更好些，起码在选角色上让人比较信服。

奥兰多饰演的主人公未免太瘦弱了，而这部的演员，包括海伦在内，都给人无比深刻的印象。

因为有对比，所以觉得还不错，推荐之。

在希腊神话中，宙斯比孙悟空还会变身，一会儿变天鹅一会儿变水牛，上天入地探访美女，遗珠遍天下，他被封为“众神之父”倒也算实至名归，不过他也把希腊神话人物的血缘关系搞得一团糟。

宙斯的创造力点燃了历史上众多艺术家的灵感，其中出现频率最高的就是丽达与天鹅，连达芬奇都画过，丽达搂着天鹅脸上呈现蒙娜丽莎的神秘微笑。

Leda and the Swan by Leonardo da Vinci叶芝认为历史旋体每两千年循环一次，循环由一位姑娘和一只禽类的结合引发，最近一次由圣母玛利亚和白鸽生下了耶稣，上一次是丽达和天鹅生下了海伦，世界大乱。

丽达是斯巴达国后，在国王丈夫和化成天鹅的宙斯的共同努力下，丽达产了两个天鹅蛋，每个蛋中有一对龙凤胎，其中两个儿子就是著名的双子座。

很复杂是吧？

（下面要剧透啦）难怪导演砍掉了天鹅蛋、双子座变独子，并交待国王知道海伦不是自己亲生的很嫌恶她，丽达也羞愤而死。

海伦只有一个兄弟。

阿伽门农来向海伦的姐姐克莱提斯纳斯求婚（神话中说姐姐先嫁了宙斯的某个儿子，阿伽门农杀死她的丈夫和孩子，强娶了她）他和弟弟梅尼勒斯同时觊觎着海伦，没等他们动作，海伦就被绑走了，作案的是两个老国王，他们通过掷筛子的方式决定海伦跟谁。

有学者认为海伦与老国王生有一女，后来过继给自己的姐姐，就是阿伽门农杀了祭天的那个小女孩。

导演没采纳这种说法，他认为老国王千里迢迢地抢个美人回来是要锻炼自己的定力，哈哈，原来老国王还是法海和甘地的祖师爷呢。

剧中海伦对老国王施展青蛇对法海的那一套，老国王挺住了，随后和前来解救海伦的哥哥同归于尽。

（神话中是老国王要还绑匪同伴的人情，帮人家抢女人被抓关到死，而双子座也是抢别人的双胞胎未婚妻未遂被杀）于是海伦的爸爸国王就没了继承人，痛恨海伦之余，把她丢给一堆大小王，包括阿基琉斯，这里他变成一个肌肉发达嗓门震天的光头巨人，哪里是传说中穿女装可以乱真的美男子？

我开始怀念《特洛伊》中的布拉德彼特，当时还觉得他的造型很糟，原来是没看到更糟的呀。

大小王发誓不管谁娶了海伦，都要保护她的丈夫，今后对海伦只可远观不可亵玩。

他们很没创意地再次掷筛子决定，结果海伦归梅尼勒斯，他因此继承王位当上了斯巴达国王。

（神话中说海伦自己做主选的丈夫）导演安排梅尼勒斯投桃报李，让海伦在婚前脱光光给几百个大小王细细瞧了一遍。

嗯，女演员的身材比面孔漂亮多了，还是导演有洞察力呀。

影片的名字Helen of Troy是一个成语，类似中文中的倾国倾城、红颜祸水、妲己亡商、西施沼吴之类的。

其实拍著名美人的故事很难，演员太难找了，这部片子里的海伦比《特洛伊》里的略好，但也没到让人惊艳的程度，这一脱，不光大小王目瞪口呆，我也呆呆地想了半天，这么重要的情节看书的时候怎么会错过呢？

是不是以女演员的相貌引发一场10年大战不够号召力呢？

反正导演很明智地让阿伽门农决定攻打特洛伊，抢夺丝绸香料商路和黄金。

为此帕里斯才跑来媾和正好赶上了海伦的脱衣秀。

四目相对，找到了梦中人。

海伦演出完毕才想起羞愧，跑去跳楼，被帕里斯接住……听到姐夫要杀帕里斯，美女救英雄……等帕里斯的船开走，她又跳海游泳追了过去……大军压境，她想起自己的责任要回去……战都打了10年了她才向预言家求教如何结束战争，这个海伦做事怎么总是慢半拍呢？

后来导演又取消了海伦在帕里斯死后的改嫁，反而安排阿伽门农强暴了海伦，而且大小王还帮着他拦着他弟弟……导演还真是喜欢让海伦脱衣服。

于是乎罪大恶极的阿伽门农就被妻子杀了，海伦一百个不情愿地跟着丈夫回了家（神话中海伦还是施展了一些媚术才让他回心转意的）。

就这样，特洛伊被改写成了海伦和帕里斯之恋外带四五角关系。

这部电影我是大学时候在网吧里看的，但小学时候就在图书馆看过《荷马史诗•伊利亚特》了，这部电影老实说要远远比皮特的《特洛伊》要写实得多。

《新木马屠城记》里的海伦远比《特洛伊》里的要可爱、清纯、唯美，有一种想到保护她的欲望，虽然没有达到完美的境界，但也有85分了。

而里面阿伽门农的表演堪称一代枭雄，有着希腊主人的王者气息，这点和《伊利亚特》里的描述基本上接近。

完全盖了男主角的戏，整个希腊半岛几乎都拜服在阿伽门农的淫威之下，尤其是他的弟弟斯巴达王～那个我们心目中无比强悍的战斗民族斯巴达人的王竟然如此对阿伽门农马首是瞻。

而帕丽斯的故事实际上和《伊利亚特》也是一致的，增加了更多的英雄气概，原著里确实是有他打败特洛伊第一强者～王太子赫克托尔的描述，但电影里他并不是一个小人，而是一个为了真爱敢于冒险的大丈夫，可能西方人没有中国人传统的那种忠贞不渝的概念，所以电影可以这样拍。

战争场面一般，但也看的下去，这部电影里主要是文戏比较精彩，所以战争场面并不是重点，在文戏上，尤其是存在阿伽门农的场景，你都可以感受到这位希腊的霸主的王者气息。