福尔摩斯：基本演绎法第四季

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A cozy suspense show written by a group of truly well-read, avant-garde intellectuals who have a more than functional grasp of the true colors of the big apple, who are so good at word play and rhetoric just annoying enough to make you feel ashamed of your English. However, you really couldn't expect less from our friends who clearly have a strong British taste that has long been renowned for its adorable fixation on eloquence and elegance in speech. Just like what the first impression of Mr. Doherty, one of the creators, would be from his appearance in a 2009 comic-con promotion: polite, well-mannered and expressive. His response, explaining the writers' stand on the Joanlock chemistry certainly won him some immediate applause from the audience, as I quote, 'We just want to explore a great relationship that is beyond gender. There's definitely some chemistry, but not exclusively romantic.' It is clear that the refreshing perspective on the protagonists' partnership is not the only breakthrough that the show has been able to achieve. It is certainly not uncommon for TV shows to make an attempt on a multi-cultural ensemble feeling, but the challenge is how to avoid tokenism - how to shift the views' attention from the token identities, be it ethnicity, gender or skin color, to the beauty and flaws of the character itself. It is hard to say if there is a universal equation to make this possible, but if there is, I believe it will be more about what should be left out than what should be added in. Starting with common sense would be a good idea. As Ms. Liu said, everyone's got his place; everyone plays a role; that's probably the beauty of the show. If a bone has to be picked, is it OK to complain about the ultimate test of my listening that Ms. Liu has put me to with her soft slurring from time to time? I have to say it's been a while since the last time I felt this challenged, in a good way, for sure.

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在两人被解雇后，夏洛克提出合作破一桩案子，功劳都归于华生，以便于她能重回警局，华生拒绝了。

她不愿意一个人回归，自己在意的不是在哪儿工作，而是和谁一起。

"When it comes to what we do, the only thing that matters to me is our partnership, so you go,I go."莫兰德说，Sherlock总是会给身边亲近的人带来不幸，成为威胁，建议他不要害了爱的人。

华生让他不要相信这番废话。

"You are not your father, you never will be.""What's the worst thing that could happen?"

20160427, s04e22, follow

是一个胆小的妹子，看这部剧以前，原来看的时候不敢点大屏，手里还要紧攥鼠标可随时叫停，第四季很难找加上之前新闻报道的女主抱了个娃，我就以为要延迟好久，知道那天发现它上了好久好久了，断断续续地看，发现阿福在这一季很多很多都是提到自己好几天没吸，从来没有过的重复，那天看到一个网友制作的视频，阿福和花生的感情是已达到恋人之上了，只是阿福没有发现并觉得一切都是顺理成章，像天才一样的人，重回正轨，无论是什么时候，都是有用处的，可能彼此的依赖，没有确定的关系，记得阿福对一个人说过：你什么都没有，可是我还有华生。

瞬间明白真谛啊，他是知道的，但风华正茂的壮年，他不知如何归去，我写的有不好，希望大家看得到的提到一下，